South Knox · Seymour Times

Serving South Knoxville and Seymour Since 1989

Heads, hearts and hands
Five new talents at Battle of the Bands

The perky Kimberly Perry performs to the delight of attendees at Big Mama’s Karaoke Café in Seymour for the Battle of the Bands summer concert series. Photo by David Grimes
The perky Kimberly Perry performs to the delight of attendees at Big Mama’s Karaoke Café in Seymour for the Battle of the Bands summer concert series. Photo by David Grimes
By David Grimes

The setting sun cast orange rays across the sintered Seymour sky Saturday as Battle of the Bands, hosted by Big Mama’s Karaoke Café and the Tennessee Productions, Inc. family of business, and co-sponsored by the South Knox · Seymour Times, burned in another memorable night of terrific talent and tasty tunes.

Further firing up the contestants was the ripe opportunity to be featured on a brand-new television show, Knox Rocks.TV, airing each Saturday night at 11:30 pm on MyVLT2.

First to take the challenge was the Loudon rock/metal trio Stone Creek, steeped deep in the classics of rock heaven. With a selection of covers featuring Chuck Berry's always-welcome Johnny B. Goode to Megadeth’s Symphony of Destruction, Kyle Renfro channeled the spirits of his guitar forebears, tolling his trippy way across the fretboard while bassman Kevin Stokes fed the fire sparked by Jon Hicks’ bombastic skinwork.

Firing off a triplet of originals, including a jam-length tune called The Epic that borrowed a minor-key riff from London Bridge, the band stretched their muscular sound across the musical spectrum, gearing up for Iron Maiden’s The Trooper and establishing a well-earned breathing space for Creed’s Higher, before ushering in Megadeth’s Enter Sandman.

Hard on their heels was the south Knoxville Christian rock/pop quintet The Day Of, who rapidly filled the concert air with a rich and readily-accessible rock.

Blessed with a concrete foundation via the drummer Preston Baker’s plastic percussion and the bendable bossy bass of Craig Stevens, the outfit layered a heavenly heart of inspired playing, courtesy of Greg Compton’s fluid lead guitar and R.J. Helton’s accomplished accompaniment, while Nick Hickman sprang from the mix to place his special stamp of vox humana on what quickly developed into a skilled, superb set of original, smartly-crafted tunes.

Not to be upstaged, the Greeneville-based quartet Perry placed a precision munition of good old-fashioned American rock-and-roll salted with a serious side of alt-country squarely in the spotlight.

Featuring family members Reid Perry on bass, joined by Neil on both drums and mandolin, and with the able assistance of Ashley Bean on backing vocals, the ensemble was made complete by the truly outstanding Kimberly Perry, lead singer, guitarist, and keyboardist.

Fronting the four-piece with practiced aplomb, the perfect pixie with polished pipes led the outfit on a rousing romp of original renditions, rising to a crashing crescendo to the cries of the captivated crowd.

Kermit Easterling Band, a feisty five-piece that forged a crisp concoction of Christian rock, fired up their axes next. Fronted by the band’s namesake on lead vocal, guitar and keyboards, the quintet questing for their own moment in the spotlight turned the guitar tricks of Kevin Harris and the wind of Lonnie Carver on sax and flute into a flight of faithful freestyle, founded generously by Jeff Roller on bass and brother Jason on drums, forming an uncanny connection at the percussive end.

By turns pensive and joyful, the Alcoa outfit drew forth outstanding arrangements of acoustic splendor, roundly displaying a top-notch knack for their moving musical ministry.

Placing their bets on the closing position, progressive blues/metal/southern rock trio Dead Moon’s Gray placed their stamp of approval on the evening’s festivities with a wide-spectrum revue. Climbing atop the percussive pedestal of Dave Peters’ popping platform, the bass stylings of “T Money” wove world-wiping wizardry through the balanced branches of Marcus Agony’s splendid, string-splitting guitar work.

Deftly turning from minor-key clashes to major-key clips, the band slid deliciously through a set of original compositions, balancing modern blues and toothsome metal with a solid southern sensibility through a series of outstanding solos and bridgework before signaling the night’s end with a hard-rocking finale.

You won’t find a better value for your entertainment dollar than a sizzling Saturday night at Big Mama’s Karaoke Café, where each week a new set of aspiring stars take the state-of-the-art stage for their chance to take home a giant pile of premium prizes. Huge high-definition television screens have been added to Seymour’s premier entertainment venue, assuring a live rocking soundtrack to the latest gridiron exploits of your favorite teams.

And if you missed even a minute of the exciting action Saturday, you can assuage your regrets by visiting www.karaokecafe.com, where you can view and download audio and video of every band’s live performance and post-show interview to your computer or handheld device, and vote for your favorite performers.

Of course, the best way to avoid disappointment is to be there this Saturday as another set of hopefuls put their hearts and hands on the firing line for the chance to be named the best.

Copyright © 2006-2008, Equinox News Publishing, Inc. All rights reserved.

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